Friday, March 26, 2010

Godspell

I arrived to the theatre in the middle of Bike week hustle. Beach Street was packed and people were everywhere, the theatre parking lot was filling up quickly and people were quickly making their way inside. When I first walked inside the ushers were waiting by the escalator to take our tickets and shows us to our seats. I sat on the right side of the three-quarters thrust style stage. Seated around me were a few couples in their forties and a woman with a younger daughter around three, towards the front of the stage were a few older couples. The unique style of the theatre really gave an interesting view of the audience during this performance; you could hear everyone chattering until the music started. With the ending of the opening song the audience was happily applauding and following what I thought to be normal American convention. As the show went on I realized how much the little girl was enjoying herself, she was responding to what was going on to her mother, even getting up and dancing at some points. When the actors invited the audience onto the stage to join them before the break many of the younger audience members went up to dance and get punch. The little girl was slightly more hesitant, but eventually went forward when her mother accompanied her. The audience was very receptive of the setting and overall show, everyone was enjoying themselves and it was nice since the play keeps a high beat. At one point when the actors went out to tell the audience about their troubles they really connected to the audience well and had people laughing with some quick jokes or outrageous stories they had to tell. At one point were one actress had the solo “Turn Back Oh Man” the woman behind me was singing, what she may have thought was quietly, along to the song. The thing that sticks out in my memory most was the little girl towards the last portion of the play when Jesus was being crucified and her reaction to the emotion taking place on stage. The lights began to flash and the hue of the stage turned red, the music was high stressed, the actors began to wail, and cry. The girl became terrified and started to get out of her seat. She kept asking "What’s going on? Why are they crying? What’s wrong with Jesus?" She became rather stressed out and her mom almost had to take her out of the theatre because she was reacting so strongly. I thought it was an amazing example of how theatre and actors can really capture the feelings of their audience and bring them into the emotional state the show is trying to portray. On the flipside the girl had an equal reaction to the happy parts of the show with the dancing and excitement she shared with her mom. When leaving the theatre I had the opportunity to talk to the mother and she said her daughter loved the show, and she was surprised how involved she became. This was great to see and really me feeling good about the production for that evening.

Wednesday, March 3, 2010

I'm a Lumberjack Burlesque - Hubba Hubba Revue

Cirque Du Soleil - Zumanity new trailer

Variety Entertainment and the Avant-Garde - New Burlesque



bur·lesque

1.an artistic composition, esp. literary or dramatic, that, for the sake of laughter, vulgarizes lofty material or treats ordinary material with mock dignity.

3.
Also, bur·lesk. a humorous and provocative stage show featuring slapstick humor, comic skits, bawdy songs, striptease acts, and a scantily clad female chorus.
–adjective
4.
involving ludicrous or mocking treatment of a solemn subject.


What comes to mind when one is thinking of burlesque other than exotic woman dancing on stage? The history of burlesque is a lot more than just legs. Some could say America dirtied the idea of burlesque with horny blue-collar workers who drank heavily. But if you look more closely, you'll find that the father of burlesque was really a playwright of 5th century BC Athens, who had his head in the proverbial gutter long before there was anything in America. Aristophanes was the playwright, poet and reformer who penned Lysistrata, the sexy masterpiece in which the wives of the Athenian soldiers hole up in the Acropolis, depriving their husbands of sex until the termination of the Peloponnesian War. The play set the stage for centuries of ribald drama - and the way I read it, these women are teasing their husbands, guiding their minds towards sex, then locking it away. Burlesque started the way we know it around the 1840's and was very popular till the 1960's when the genre began its more modern evolution. It was popular in the lower and middle classes of the U.S. and Great Britain because it did what most people enjoy; make fun of (burlesquing) the lifesty les of the upper class. It also pushed the boundaries for what women could get away with. Some areas of the U.S. it was illegal for a woman to show more than 2 inches of neck or have a skirt more than 3 inches above your ankles. The tease of a burlesque show gave women confidence and reminded what great power the female form has.

Starting around the 20th century, American's used the word ‘Burlesque’ to describe their variety shows and introduced the striptease. It’s only in America that the term Burlesque is regarded closely with the term striptease. For the reason in the 1920's and 30's the word burlesque was banned from advertising and Striptease took it's place. The shows went more towards nudity and got rid of most of the comedy and performance pieces, this is now termed the bum and grind era. Then in the 1960's hard core porn became easily available and men no longer looked to the striptease shows for entertainment. A great revival did take place for Burlesque with the 1979 show "Sugar Babies." This show contained all the great comic spirit of burlesque along with the raunchy skits and lovely chorus girls with their periodical songs.

Modern Burlesque has a wide variety, from SNL, to movies like Spaceballs, and even shows like Jerry Springer, they all fall under this new burlesque term. There are still many cases of classy-comedy filled strip shows that are becoming increasingly popular in Vegas. Cirque de Soleil has even come up with it's own show for Vegas called Zumanity which is a very artistic burlesque that includes comedy, song, physical feats, and more sultry acts. Another new show called "Bite" plays on the idea of vampires, but focus' a lot more on the striptease idea of burlesque. With the movement of avant-garde theatre burlesque has taken on many new meanings and different interpretations. A return to bawdy comedic entertainment poking fun at peoples lifestyles couldn't be any more complete without a little nudity, be cause really, what's funnier than the naked body?















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http://www.independent.co.uk/arts-entertainment/theatre-dance/features/a-brief-history-of-burlesque-471288.html

http://www.musicals101.com/burlesque.htm

http://quazen.com/arts/dance/the-beautiful-art-of-burlesque-
dancing/